Sud Ouest - Bordeaux
Con brio
The elegant pianist, Pietro De Maria, lacks neither virtuosity nor delicacy, and his passion does wonders in the third movement [of Schumann’s Concerto op.54], superbly eloquentThe elegant pianist, Pietro De Maria, lacks neither virtuosity nor delicacy, and his passion does wonders in the third movement [of Schumann’s Concerto op.54], superbly eloquent, exceptional for the pulse and for the dialogue between the soloist and the orchestra.
This brio does not exclude the sense of dynamics, remarkably subtle throughout the Concerto, nor that of form. In the end, the performance was vivifying: the music vibrating with uncommon intensity which it would be a mistake to disdain.
The elegant pianist, Pietro De Maria, lacks neither virtuosity nor delicacy, and his passion does wonders in the third movement [of Schumann’s Concerto op.54], superbly eloquentThe elegant pianist, Pietro De Maria, lacks neither virtuosity nor delicacy, and his passion does wonders in the third movement [of Schumann’s Concerto op.54], superbly eloquent, exceptional for the pulse and for the dialogue between the soloist and the orchestra.
This brio does not exclude the sense of dynamics, remarkably subtle throughout the Concerto, nor that of form. In the end, the performance was vivifying: the music vibrating with uncommon intensity which it would be a mistake to disdain.
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