Abendzeitung
The Prague Symphony Orchestra in the Meisterkonzert series in Nuremberg
Pietro De Maria showed himself to be a supreme acrobat of the keyboard, far from every overemphatic romanticism, with great scopePietro De Maria showed himself to be a supreme acrobat of the keyboard, far from every overemphatic romanticism, with great scope and a constant level of tension in the Intermezzo and with a lively, irrepressible Rondo at the end. His hallmark that evening: fresh, pulsating tempos and a very intense communicability with the director and with the orchestra.
Pietro De Maria showed himself to be a supreme acrobat of the keyboard, far from every overemphatic romanticism, with great scopePietro De Maria showed himself to be a supreme acrobat of the keyboard, far from every overemphatic romanticism, with great scope and a constant level of tension in the Intermezzo and with a lively, irrepressible Rondo at the end. His hallmark that evening: fresh, pulsating tempos and a very intense communicability with the director and with the orchestra.
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